Directed by: Shahin Ilajar Islam
Screen play: Asif Iftekhar Piyash
Music Director: Shayan Chowdhury Arnob and other tracks are provided by Ayub Bachu,Fuad Al Muqtadir,Raef Al Hasan,Adit and Asif Asgar.
It was basically a time when army units directed by West Pakistan launched a military operation in East Pakistan against Bengali civilians, students, intelligence, and armed personnel who were demanding independence from Pakistan and it was THE Yahya Khan, the former president of central Pakistan, who was convincing the whole world saying- “Everything is under control”, as we find the Daily’s wrote- “Yahya loaded for right steps to save country”. “Deep Nebhar Ag-E”- includes glimpse of an urban guerrilla operation, pictures and information on Bangladesh Liberation War of 1971 against Pakistan, conducted by a few young Bangladeshi chaps who never thought of becoming guerrilla fighters but moved by a single dream, which is Independent Bangladesh by proving Yahya and his followers completely wrong.
A group of foreign delegates came to East Pakistan just to observe the situations happening around Dhaka. The Pakistani army took every single measures to show Dhaka was doing quite normal before them, hence, our guerrilla fighters planned to do something which would bring the actual reality before the delegates when they arrive in Dhaka.
Deep Nebhar Ag-E is not an event of a single person. These young individuals lived in Dhaka at places like, Gulshan, Dhanmondi who had their own ways of living as they belonged to the upper class of that society. It was circled with emotions of these young people. Here, if one liked Bob Dilan, then the other liked Rabindranath Tagore. If the war stands as a struggle to realize one’s own identity, then one mother does not know where she belongs to because everyone knows her as a Pakistani. Besides, there was a whole group of Pakistani invaders including a Rajakar, who dreamt of becoming the next Governor of East Pakistan and could never forget his ex-love, who was a Pakistani women one of our guerrilla fighter’s mother and who hated him like anything.
The film also gives the Pakistani characters complete identities rather than showing some men with overplayed depraved expressions and badly written and delivered Urdu dialogue. In one scene an officer receives a call from his wife in Pakistan. He asks about her and their kids' well being. The officer had shot an adolescent -- suspected of being an informant -- just before the phone call. Humans are capable of the most despicable crimes; animals are not. That scene validates the humanness of a man who had just killed someone of his son's age.
Deep Nebhar Ag-E may not answer many questions of the stories that will be portrayed deriving from history but at the very end, it will project the power of freedom which even makes the presence of death helpless like a poor slum dog.
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Originally Posted by EmRaN
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